Brazilian Popular Music and Globalization

This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.

Содержание

2 Carmen Mirandadada

Black Orpheus Orfeu and Internationalization in Brazilian Popular Music

4 Tropicália Counterculture and the Diasporic Imagination in Brazil

Globalization as Seen through a Brazilian Pop Prism

The Tropicalist Revival

7 Defeated Rallies Mournful Anthems and the Origins of Brazilian Heavy Metal

8 The Localization of Global Funk in Bahia and in Rio

Reggae Black Counterculture and Globalization in Brazil

A Case of LongDistance Belonging

Music and Subjectivity in a Global Context

Maracatu de Baque Virado and Chico Science

Mestre Ambrosio

16 Good Blood in the Veins of This Brazilian Rio or a Cannibalist Transnationalism

Contributors

Copyrights and Acknowledgments

Geographic Space and Representation of Identity in the Carnival of Salvador Bahia

Ethnicity Activism and Art in a Globalized Carnival Community

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Об авторе (2013)

Charles A. Perrone (PhD Texas 1985) is Professor of Portuguese and Luso-Brazilian Literature and Culture at the University of Florida. He is the author of Masters of Contemporary Brazilian Song: MPB 1965-1985 (Texas, 1989), Seven Faces: Brazilian Poetry since Modernism (Duke, 1996) and translators/editor of several books. He lives in Jacksonville, FL.Christopher Dunn (Ph D Brown 1996) is Assistant Professor at Tulane University, where he holds a joint appointment in the Department of Spanish and Portuguese and in the African and African Diaspora Studies Program. He is the author of a forthcoming book on the Tropicalist movement in Brazil and a contributor to Encarta on Afro-Brazilian topics including new popular music. He lives in New Orleans, LA.

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